Director: Pete Travis
Problematic: Protagonizing the police; protagonizing fascism; villainizing drug users; villainizing sex workers; misunderstandings of class and crime; etc.
Bechdel Test: Pass.
When it comes down to it, this is a film about some white cop who runs around a projects building killing poor people because some of them might be dealing drugs (drugs that honestly look really fun and aren’t presented as having any negative side effects). It’s one of those non-stop-action movies that’s light on complexity but high on moralizing. The protagonists have body armor and high-tech gizmos and the opponents are impoverished. It’s somewhat entertaining, has strange moments of beauty, and tries but fails to be anything but a feature-length accolade of how great the police are.
It’s hard to imagine that this film was written by and for anything other than suburban, middle- and upper-class Americans.
The character Judge Dredd comes the UK comic series 2000AD and is intended to be a black-comedy satire of authoritariansm. This film adaptation, however, seems to entirely miss the point. And, according to the screenwriter Alex Garland, intentionally so: it was written as he understood the comic as a ten-year old boy. So there you go. Unfortunately, while I’m all for black-comedy and satire, this film is direct proof as to why those things are dangerous when they go over people’s heads.
Continue reading Dredd (2012)